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Artist trading cards (ATCs) is a conceptual art project initiated by the Swiss artist M. Vänçi Stirnemann in 1997. He called it a Collaborative Cultural Performance. Artist trading cards are 2.5 by 3.5 inches in size, the same format as modern trading cards (hockey cards or baseball cards) or playing cards.
They are self-made unique works or small series, signed and dated on the reverse by the artist/producer, exchanged and collected by the people who participate in the collaboration.[1]

The project In 1996, Stirnemann began making small artworks the size of commercial trading cards. An exhibition of 1200 of Stirnemann’s cards ran at his second-hand bookshop and gallery INK.art&text in Zürich, Switzerland between 23 April and 31 May 1997. The exhibition ended with a trading session.[2] The ATC project was intended to allow people from different backgrounds to participate in an ongoing art project, which was not part of the art market.
Selling or buying ATCs clearly contradicts the initial idea. Instead, people would meet at trading sessions and exchange their art work in a democratic face to face situation. Anybody can participate in the project and all techniques are allowed.[3] ATCs are produced in various media, including dry media (pencils, pens, markers, etc.), wet media (watercolor, acrylic paints,
etc.), paper media (in the form of collage, papercuts, found objects, etc.), or even metals, fiber, wax and other materials.[citation needed]

A few weeks after the first ATC exhibition and trading session in Zürich, the Canadian artist Don Mabie adopted the idea and showed artist trading cards at the Alberta College of Art and Design in Calgary, Canada.[4] In September 1997, a trading session was organized at the New Gallery in Calgary. Today, there are regular trading sessions in more than 30 cities in Europe, Canada, the US and Australia.[5] The Zürich and Calgary trading sessions are still held on a monthly basis.[6]